In the world of comics, Bernie Wrightson was one of the greats. He was the Master of the Macabre, an artist’s artist, and by all accounts, a very nice guy. John shares his memories of one of best artists comics have ever produced.
If a character’s lasted for decades before you got your hands on them, there’s usually a reason for that. And it’s usually because the creators did something — or several somethings — right. So it makes sense to consider exactly what made the character successful in the first place before you translate them to the screen.
After having written about old stuff from the 1960s-90s recently, it’s nice to get back to being excited about new stuff, though this is one I’ve been excited about for a good long while; ever since I read American Gods and its sequel, Anansi Boys, I’ve kept an eye out for news about its inevitable film production. Following the success of Game of Thrones, Neil Gaiman’s book was picked up as a TV series, first briefly by HBO, and later by Starz.
I am here to say that it is all right if you do not like everything your favorite artist produces. That pretty much summarizes my thoughts after reading a few panels …
It’s the end of the month, so let’s see what trade paperbacks, mini-series, and story arcs came out that you might enjoy!
Let’s take a look at the trades and books I managed to read in January. I promise a lot of writing and maybe some laughs? I don’t know what amuses you people!
This week, I’m going to talk about the Watson Problem. But to get there, I have to talk about Sherlock Holmes first. (That’s the trouble with these two. You can’t talk about one without also talking about the other.)
I’m getting a bit tired of Asshole Sherlock Holmes. We’ve had variations on him for 30-40 years now, and it’s getting a bit stale.