So we are entering the tail end of 2018, a tumultuous year in many ways; from social change, political upheaval, international crises, deaths of respected public figures, some great comics …
After reading Hatcher’s “Non-Existent Gift Guide” I got to thinking about all the movies and stuff I’ve searched in vain for over the years, thinking I’d add to his list with a list of my own. Then I thought I should check one more time just to be sure on a few items. Turns out Patton Oswalt was right. He called it ETEWAF: Everything That Ever Was–Available Forever. And it seems like almost everything is available now.
Continuing with my lengthy and meandering conversation with Kevin Conran, Production Designer, and Michael Sean Foley, Lighting Designer, reminiscing about the making of ‘Sky Captain and the World of Tomorrow’ and random digressions into wherever the conversation and the Guinness took us.
A look back at 2004’s ‘Sky Captain’ and the first part of an interview with Art Director Kevin Conran and Lighting Designer Michael Sean Foley.
From where I sit, as a professional artist, cartoonist, occasional comics journalist, and comics reader of 50+ years, I see four areas in which the comics industry has at various times gone off the rails: Format, Content, Distribution, and Marketing. Each of these areas has been affected by a number of foolish, short-sighted, fear-driven decisions over an extended period of time, the cumulative effect of which has led to the current state of the industry.
The convoluted history of the various Captains Marvel (and their knockoffs) is probably the subject of more urban legends and misunderstandings than probably any other segment of comics history. Throw in the widespread confusion over the difference between copyright and trademark, and it’s a pretty deep swamp. Let’s go wading!
There was a minor controversy in the comics world after Bleeding Cool picked up an Instagram post from comic artist Trevor Von Eeden; a photo of a check, which Trevor described as his payment from the Black Lightning TV show. Bleeding Cool assumed that this check must also be indicative of Tony Isabella’s proceeds from the show. Naturally, Tony had something to say about that. I reached out to him and recorded an interview. Here’s a transcript of that conversation.