There’s been this trend of late, blaming this generation or that for all the world’s problems — “Boomers destroyed the economy!””Millennials are killing [everything]!” “Gen Xers all want participation trophies!” — and that’s not what this post is about. What it is about is recognizing and appreciating the influences and factors that contribute to some of the trends and attitudes associated with certain generations, and pointing out why some of those generational groupings may be too broad and/or inaccurate.
After reading Hatcher’s “Non-Existent Gift Guide” I got to thinking about all the movies and stuff I’ve searched in vain for over the years, thinking I’d add to his list with a list of my own. Then I thought I should check one more time just to be sure on a few items. Turns out Patton Oswalt was right. He called it ETEWAF: Everything That Ever Was–Available Forever. And it seems like almost everything is available now.
Continuing with my lengthy and meandering conversation with Kevin Conran, Production Designer, and Michael Sean Foley, Lighting Designer, reminiscing about the making of ‘Sky Captain and the World of Tomorrow’ and random digressions into wherever the conversation and the Guinness took us.
A look back at 2004’s ‘Sky Captain’ and the first part of an interview with Art Director Kevin Conran and Lighting Designer Michael Sean Foley.
From where I sit, as a professional artist, cartoonist, occasional comics journalist, and comics reader of 50+ years, I see four areas in which the comics industry has at various times gone off the rails: Format, Content, Distribution, and Marketing. Each of these areas has been affected by a number of foolish, short-sighted, fear-driven decisions over an extended period of time, the cumulative effect of which has led to the current state of the industry.
The convoluted history of the various Captains Marvel (and their knockoffs) is probably the subject of more urban legends and misunderstandings than probably any other segment of comics history. Throw in the widespread confusion over the difference between copyright and trademark, and it’s a pretty deep swamp. Let’s go wading!
When Star Wars exploded on movie screens in 1977, it elevated sci-fi out of the low-budget B-movie ghetto in a way that 2001: A Space Odyssey and Planet of the Apes had tried to do and didn’t quite achieve. While those two films had the spectacular visuals, humanist allegories, and deep thoughts about the meaning of man, they lacked the slam-bang action of a great 1940s Flash Gordon movie. Star Wars showed that people would go for big dumb fun, and the race was on for the next one. In the years that followed, many studios attempted to join the “Me Too” Chorus, with Star Trek grabbing the high-end market and the original Battlestar Galactica locking up the TV audience. The low end was filled with cheesy movies featuring clumsy alien make-up and iffy blue-screen effects. 30-odd years later, one movie stands above them all as the greatest film in the crowded “cheap Star Wars knockoff” genre: ‘Battle Beyond the Stars.’