Celebrating the Unpopular Arts
 

56 random thoughts about the first six Star Trek movies!

HBO had Star Treks I-VI on over Thanksgiving, and as I haven’t seen a few of them and haven’t seen any of them all the way through in a long time, I thought I’d crank up the DVR and check them out. Here are my random thoughts about each one! (With, you know, SPOILERS, but come on, we’ve all seen these!)

Star Trek: The Motion Picture (1979).

1. I like low-key pretentious things, and the name of this is kind of low-key pretentious. “No, no, don’t worry – it’s not the television show, it’s a motion picture.”

2. The cast apparently didn’t like this because they didn’t get to do a lot of character stuff, but come on – it’s Star Trek. Everyone knew who these people were, so just put them in the plot and let them go!

3. The biggest problem with the movie is that Stephen Collins (yuck) and Persis Khambatta don’t really have chemistry together. That’s kind of crucial.

4. Speaking of which, Khambatta doesn’t do a very good job here, but I don’t know if it’s her fault (she’s better in a smaller role in Nighthawks, her next movie). She’s much more convincing as a robot than a human, which isn’t great. Deltans, I guess, are supposed to be an erotically-charged race, so perhaps she was told to play close to the vest because that’s how Deltans need to act around non-Deltans or the non-Deltans will burn to ash in an erotic explosion, but that’s just speculation. It’s hard to believe Collins at the end because in the beginning, Khambatta doesn’t come across as someone one would sacrifice their humanity for.

5. I will never not love beard-having, medallion-wearing, disco-digging “Bones” McCoy (see below). He’s grumpy that he got “drafted” back into Starfleet. The only thing that would make it better was if he had said, “And they transported me away just as I was about to score with Debbie Harry at Studio 54!” Never change, Bones, you douchebag.

6. It seems that people were a bit grumpy about Spock being less than nice, but the whole point of the movie is that Spock is trying to leave emotions behind and he can’t. So when he comes onto the Enterprise, he’s still “all-Vulcan,” but as he and the crew learn about V’Ger and what it wants, he begins to see that he can’t deny his human side. This isn’t exactly subtle, so why people think Spock is “too Vulcan” in this movie makes no sense.

7. The “villain” of the movie is very cool. Using a Voyager probe (even one that never existed) is a very inspired idea, and making it a sentient machine works really well. Most movies, especially ones that are based on beloved franchises, wouldn’t have the stones to do that, especially the first time out of the gate.

8. This is really the best Star Trek movie, isn’t it? I mean, everyone leans toward Wrath of Khan, but I submit that Wrath of Khan is a movie for adolescents, while The Motion Picture is more adult-oriented (and everyone forgets about The Undiscovered Country, which I would argue is better than Khan). It doesn’t engage in action, instead deciding to ask deep questions that aren’t going to be answered in a big-budget sci-fi movie, but at least get asked, and the resolution is fascinating. Even the “boring” parts (which I don’t find boring, although I know many do) try for a sense of wonder and majesty at the vastness of space, something the subsequent movies really don’t. The age thing is handled well, too, as I noted below. Even the last movie, when Shatner was almost 60 and they even talk about retiring, still turns him (briefly) into a rootin’-tootin’-fightin’ dude, which is a bit ridiculous. But this movie understands the changes that come with age, and doesn’t have a problem exploring it a bit. It’s nice to see.

Star Trek II: The Wrath of Khan (1982).

9. Shatner and Nimoy were 50 during filming of this movie (Shatner was exactly four days older than Nimoy) and Kelley was 61, and the filmmakers did a nice job in this and the first movie with kind of leaning into the age thing, even if later movies tended to ignore it, especially with regard to Shatner. As someone on the plus side of 50 these days, I appreciated this more now than I did then. Shatner fighting people is never not going to be ridiculous, but it’s still neat that they at least acknowledge that people age. Shatner was already trying to stem off aging, wearing a corset and toupée, but at least the movie nods toward Captain Kirk’s age, if not Shatner’s.

10. Montalban is terrific, if a bit overheated, but Khan isn’t too bright, is he? He gets a lot wrong in the movie, and constantly underestimates Kirk, and doesn’t think things through all that well. It’s still a great, bravura performance, but a bit frustrating to watch today.

11. There are a ton of plot holes in this movie. How did Khan and his band survive for so long? Why are there no old people with Khan – his group is almost entirely young-ish people, who would have been children 15 years earlier, when he was marooned. Why didn’t Starfleet ever check on him, even at long-range? Why didn’t the Reliant see remnants of the destroyed planet? Why didn’t Chekov die from the worm in his ear? Why do any trainees at Starfleet take the Kobayashi Meru scenario seriously when they know it’s a no-win situation? How did Genesis make an entire planet out of a spaceship? How did Genesis make the inside of the asteroid livable when it seems like the only way to use it is the highly inefficient “blowing it up” way that Khan employs?

12. Khan’s use of the worm thing is pretty cool, though. It’s still freaky, even years later and with the acknowledgement that the effects aren’t that great.

13. Kirk’s demeanor throughout is pretty good, too. Shatner’s overzealous “KHAAAANNNNN!!!!” will always be humorous, but what’s fascinating and doesn’t often get mentioned is that by this time, his plan is already in motion, so he’s overacting for Khan, and Khan buys it. Shatner will never be a terribly good actor, but when people laugh at this, they forget that Kirk is raging ridiculously deliberately, to make Khan think he’s beaten when really, he’s just buying time.

14. Merritt Butrick isn’t great as Kirk’s son, but it feels like miscasting. Butrick is very good as the spacy dude in Square Pegs, and while he never did too much comedy, it seems like he was better at it than drama. He’s just … weird, and seeing him play David so danged seriously doesn’t really work.

15. The secondary cast doesn’t get much to do in these movies, which is too bad. I mean, at least Chekov gets a fun arc here, but Scotty, Sulu, and Uhura don’t. Scotty’s nephew gets killed, so he can be sad for a few seconds, but other than that, it’s a bit annoying. Kirk talks to Scotty a bit more than he talks to the others, and Takei can do wonders with his eyebrows, but Nichols just says her lines and doesn’t have much else going for her.

16. Nimoy only agreed to the movie if Spock died. Dang, Len, that’s cold.

Star Trek III: The Search for Spock (1984).

17. The title of this movie is a lie. I mean, they know where Spock is pretty much the entire time!

18. Oh, Kirstie Alley [R.I.P. – I wrote this about a week before she died]. You were so very, very stupid. Get a nice gig as the neophyte Vulcan who might eventually become a main cast member, then demand more money because, what, you think they’re not going to take care of the main cast first? Who knows. Anyway, she gets replaced and the franchise doesn’t miss a beat. Well done, Kirstie Alley!

19. One of the plot holes in Wrath of Khan was Genesis creating a planet out of a … spaceship? What the heck was that all about? They never mention how weird it was, but I like to think the Genesis planet destroying itself in this movie is an attempt to close that hole.

20. The science of how Spock turns back into himself is probably best left unexamined.

21. What was the deal with Kirk’s family? Carol Marcus isn’t even in this movie, which seems odd, and David gets himself killed. Kirk gains a family, has barely any interaction with them, and then one disappears and the other dies. It just feels like a wasted opportunity.

22. Christopher Lloyd as the Main Klingon is instantly recognizable from his voice, but John Larroquette as Klingon #2 really isn’t.

23. Nichelle Nichols has even less to do in this movie than the others. Sheesh, filmmakers!

24. Saavik and Spock kind-of sort-of have sex, don’t they? In a clinical, Vulcan way?

25. This isn’t a very good movie, unfortunately. It doesn’t have much of a plot, and the Klingons are kind of dumb, and it doesn’t make a whole lot of sense. Oh well.

Star Trek IV: The Voyage Home (1986).

26. Everyone seems to like this movie, and it’s perfectly fine, but it’s not really a great movie. What if we lifted the plot from Star Trek I and added some silly humor? doesn’t really make it a great movie.

27. I don’t mind Spock being funny, but his cursing does feel a bit forced. He’s funnier when he’s just being his Vulcan self in a world that doesn’t know how to handle it.

28. I like how they casually know how to travel through time, they just don’t do it. Nice hand-waving by the filmmakers.

29. Catherine Hicks has never been a star, but she’s been working steadily since 1978, and she does a nice job here. She assimilates to the 23rd century pretty danged easily, too. I wonder why they never brought her back, even for a cameo?

30. I don’t care too much about nit-picking time travel, but the crew sure doesn’t care about messing up the timeline, do they?

31. The crew gets to do things! Yay!

32. Wouldn’t jumping into Kirk’s “transporter space” kill both Kirk and Gillian? Doesn’t the transporter have to account for the atoms before it activates, and adding another human after it does this would just turn them into a mashed-together horror show?

33. Jane Wiedlin is briefly in this movie. Wiedlin is awesome, so good for her!

34. How did the whale song ever contact an alien intelligence light-years from earth? I mean, fine, the whales are smart and communicate with each other, but contacting aliens way out in space? Star Trek always treats space like a relatively small area, which is a bit vexing.

35. The whale hunters speak Finnish. What they’re doing in the north Pacific is a question best left unasked.

36. How does Sulu get access to the helicopter? I assume he steals it, but didn’t anyone notice?

37. I guess the success of this movie is what got Shatner onto Saturday Night Live, which is when we got the skit about Shatner at the convention yelling at the fans. My favorite, however, remains the skit where the Enterprise is turned into a restaurant. Khan the health inspector is awesome: “No sneeze guard on the salad barrrrrrr!!!!”

Star Trek V: The Final Frontier (1989).

38. I mean, this isn’t that bad. It’s better than The Search for Spock, for instance.

39. Part of the problem is that the villain isn’t that impressive. I do like that they keep its true nature mysterious, but for something that gets mistaken for “God,” it’s kind of easy to defeat, isn’t it?

40. That’s not really the point of the movie, true, but still.

41. And the “Great Barrier” isn’t really that great, is it? They fly through it pretty easily. You’d think it would be a bit more difficult to pierce.

42. Sybok’s power is odd, too. Why would everyone suddenly become brainwashed just because they’re not in pain any longer? I mean, that’s great that he’s able to help them confront it, but is that enough to turn them into sheep?

43. David Warner doesn’t get to do much, unfortunately. His first name is “St. John,” however, which when I first encountered it in Jane Eyre, I pronounced it like a sane person, but my English teacher, when we discussed it, said we had to pronounce it like insane people, as in “Sin-jin.” Good job, crazy English people!

44. When did Uhura and Scotty become a couple?

45. Shatner apparently wanted to make the movie longer, but the studio shut him down. This is Shatner’s first movie as director, and you can kind of tell. It’s a messy, ramshackle movie, with not enough emphasis on some things and too much on others, and it leads to things not making sense like I noted above. The “hang-out” parts with Kirk, Spock, and Bones are fine, but they take away from the forward momentum of the plot, while Sybok’s anti-Vulcanism isn’t explored enough to make him a good foil for Spock. It’s frustrating, because there’s a better movie in here trying to get out, and a surer hand in the director’s chair (even someone like Nimoy, who’s not a great director but is better than Shatner) might have made it better.

Star Trek VI: The Undiscovered Country (1991).

46. This takes place, apparently, 20 years after the first Star Trek movie. Interesting.

47. Poor David Warner. After doing little in the fifth movie, he has a different role in this one, and gets killed pretty early on. Dude can’t catch a break!

48. I always liked Iman. She had that severe beauty that a lot of 1980s models had, and she deployed it well in small roles, like this one. I don’t know if she could have handled bigger roles, but in small ones, she was pretty good.

49. Kurtwood Smith as the Federation President looks ridiculous, especially if you think of him as the bad-ass from RoboCop or as Red from That ’70s Show.

50. Christopher Plummer has way too much fun with his role as General Chang. The constant Shakespeare quoting is a tad much, though, but he sells it hard.

51. I had forgotten that Christian Slater has a cameo in this movie. I do like how they kept his face in shadows. I also hadn’t realized that Michael Dorn is in this movie. Apparently he’s playing his “Next Generation” character’s grandfather.

52. Kirk really hates Klingons in this movie, and while they killed his son, so I get it, it seems to be a bit over-the-top. I mean, he knows the Klingons who killed his son were renegades, and it’s not like he hates humans because Khan tried to kill his son. I get that racism is illogical, but it still seems a bit off.

53. Whenever I see Kim Cattrall, you might expect me to think of Big Trouble in Little China. Well, sure, but I’m always reminded of Mannequin, even though I’ve never seen it. In 1987 I went to New York on a choir trip – my choir director got a story into a science fiction anthology and she took us to the book launch, and I met Orson Scott Card (who edited the book, and this was, of course, long before we found out he was a bit nuts) and Mark Hamill, who was there for some reason. We also saw a production of Little Shop of Horrors, which was a lot of fun, and the lead in the show talked to us afterward about his life in the theater. It seems he was in Mannequin, at the end, playing a janitor who finds Kim Cattrall’s mannequin body? I don’t know, I’ve never seen it, as I noted above. Anyway, so whenever I see Kim Cattrall, I’m reminded of the dude who played Seymour in Little Shop of Horrors.

54. Why didn’t Kirk’s jailers find the patch that Spock put on him? You’d think they would have been thoroughly searched. Speaking of which, man, Klingon justice is swift. The trial and imprisonment and escape of Kirk and Bones takes place in less than a week, if I’m keeping the timeline straight.

55. It seems like Uhura and Scotty aren’t a couple anymore, or they’re keeping things quiet. So sad.

56. I was prepared to call Star Trek I the best one, but now I’m not so sure. This is a terrific movie, full of allusions to the real world (the Klingons are obviously the tottering Soviet empire), solid performances, interesting villains, and good action. I think The Motion Picture is a better pure science fiction movie, but this is a better pure action movie. Splitting hairs, I know, but it’s my post, damn it!

Anyway, those are some random thoughts about the movies from someone who has never watched one minute of any of the Star Trek television shows (I mean, I’ve seen scenes from them, but I’ve never sat down and watched an episode). Any thoughts about my thoughts?

13 Comments

  1. I viewed all of them (save for 6, which I never saw) at the cinema. I haven’t watched ANY of them since they came out, but:
    1 BORED me, which I thought was a cardinal sin. 2 entertained me, even with its flaws. 3 felt like the middle of a trilogy and was neither here nor there.
    4 I thought was a hoot, but it was confusing to my mother, who had not seen the previous films. 5 irritated me, which I attributed to Shatner’s direction.

    But I could be wrong.

    1. Greg Burgas

      Do you really need to see the previous films to get #4? I mean, it seems like if you at least know the characters, you’re good. Maybe she didn’t know anything about the characters?

      #6 is quite good!

  2. Der

    I’ve never watched anything star trek, and I don’t think I will start now….but, “Sin-jin”? really? “Sin-jin”?

    English language, just making stuff up as it goes, it seems

  3. Edo Bosnar

    Motion Picture is a fine movie.
    Wrath of Khan is tied with Undiscovered Country as the best.
    Search for Spock is fine and Robin Curtis is a better as Saavik than Alley. And it is, in fact, better than Final Frontier (although I agree the latter is not *that* bad, it’s just kind of sucky compared to the other five).
    Voyage Home is quite good, too.
    That’s all.

    p.s. on that episode of SNL hosted by Shatner, I agree that the restaurant Enterprise skit is even better than the Trek convention one; that entire episode, though, was pretty awesome, as Shatner very sportingly allowed himself to be mocked in several other skits as well (including a T.J. Hooker spoof).

  4. Jeff Nettleton

    I watched all but Star Trek: The Motionless Picture in the theater and have all but Star Trek V: WTF, Dude? on home video. Anything with Nicholas Meyer involved is great…which means Wrath, Voyage Home and Undiscovered Country. Meyer gets the character dynamics, adds the nautical/military touches and is the best director for Shatner. In his commentary, he remarked that he just kept having Shatner do take after take, until he got the Shartnerisms out of his system and settled down into a performance.

    Shatner can be a good actor, though not so much after doing Star Trek. he was better before the series, in things like Judgement at Nuremburg.

    I dispute you #38 to the end of time. Nyaaaah!

    III was supposed to have a scene where Uhura is on the run from Starfleet security and runs to the Vulcan embassy, requesting sanctuary and Sarik tells them to bugger off. That is how she ends up on Vulcan, at the end. The novelizations were actually pretty good about expanding things, including deleted stuff like that and filling in plot holes. For instance, more time passes before the plot of VI takes hold, including Kirk having to tell carol about David’s death. Kirk has really stewed about the Klingons, so it sells the idea that he has really been festering a wound, which explains his more extreme reactions, compared to V. Sulu was supposed to meet his own great-great grandfather (or whatever generation grandfather), in San Francisco.

    Sulu was shown to be checking out the helicopter in the film; did you nod off? He obviously pointed off into the distance and lifted off when the guy looked that way. Simple.

    Jillian reappears in Chris Claremont’s Star Trek: Debt of Honor graphic novel, which is filled with series and film characters and easter eggs (and an Alien ripoff, as per usual Claremont MO) and is bookended by Kirk and Gillian checking on George and Gracie, as she is about to give birth. Even comes up with a discussion of the smooth vs bumpy-headed Klingons. Nice Adam Hughes art, too.

    Original Trek is awesome (mostly..season 3 gets wonky)…the rest?….Meh. Next Gen has moments, but I’ll take Babylon 5 over anything else. Red Dwarf, too!

    1. Greg Burgas

      You can disagree with me on all of them … as long as you know, deep in your heart, that you’re wrong! 🙂

      I own Debt of Honor, but I just got it when IDW reprinted it, so I haven’t read it yet. That’s good to know!

  5. HAL 2000

    Random Thoughts? Tell the truth Greg, have you been possessed by the spirit of Chad Nevett? (Sp.?!)
    A few random thoughts on your random thoughts:
    Star Trek: The Motion Picture is interesting but it’s also a little like 2001: A Space Odyssey for morons. Altho’ Spock going back to Vulcan in order to go the Full Vulcan (funny how the Vulcans from the series behaved less like he does when almost Kolinahr’ed and more like crabby assholes) is rather forced it does lead to interesting character development – which is then ignored in later films due to embarrassment over this one. A pity that the Vulcans were almost always treated in a fairly racist way but the real racism would have to wait to Abrams’s Star Trek (honestly just imagine a real race of people being treated the way the Vulcans of that movie were in 2009).
    The portrayal of Kirk is interesting also, he is *seriously* flawed and attempting to recapture his youth. Fascinatingly he has to face his aging *again* in Star Trek II in which he doesn’t screw up anything like as badly as he does here.
    “Stephen Collins (yuck)”. Yeah, his acting *was* pretty bad, wasn’t it? What’s that? He did what?! Geh, I’ll just play Gary Glitter’s Rock n Roll Part 2 to get that out of my mind… Oh sh-
    ST:TMP’s best elements? The sound design, the music, and (some) of the visual effects. It’s not the most pretentious Star Trek (that’s coming up later) but it is very clunky in places.
    Star Trek II: The Wrath of Khan. Yes, there are plot holes but many movies have them and that doesn’t necessarily invalidate them. Obviously Starfleet’s ability to forget about Khan and Co then misidentify a planet is hilarious but Nicholas Meyer (re)wrote this quickly and it’s amazing how much the goofiness doesn’t matter or reduce the movie unlike, say, Star Trek VI.
    Meyer admits to not being the most visual director but II looks pretty good, the warmth of film beats out the deadness of digital any day. Montalban treats the scenery like a Ceti Eel would the human cerebral cortex (talented creatures!), Shatner is good in his Shatnerness, Nimoy owns Spock, and DeForest is great as everyone’s favourite likeable asshole. Merritt wasn’t a great actor but is perfectly fine as David while the late Kirstie Alley was never more gorgeous than as Saavik, a fantastic albeit underserved new character.
    The ending still gets me. “He’s dead already!” (Scotty’s got a worse bedside manner than Bones) “I have been…and always shall be…your friend.” The Motion Picture has nothing that compares to this or the giddy delight of the revelation of the Genesis Project’s creation. Illogical? Who cares! It’s like the movie was being reviewed by Sarek. If Professor Stephen Hawking could enjoy Star Trek despite its silliness then…! More annoying random retorts follow…

  6. HAL 2000

    Star Trek III: The Search for Spock is conventionally dismissed but is an enjoyable if incredibly frustrating film. The real problem with it is it’s extreme conservatism, every advancement in II is thrown away. Carol disappears, David is idiotically revealed to have slipped a Mickey into the Genesis matrix in order that he can revealed as a huuuge hypocrite and get killed off. Vile. Silly Kirstie asks for too much money and is replaced, Robin Curtis seems nice but is miscast while Nimoy removes the interesting parts of her/Saavik’s character (the notion that Shatner was the only narcissist in the cast is…erroneous, he just wasn’t as unpleasantly obvious about it to the supporting cast so they didn’t notice: sorry, George!).
    I agree that Michelle/Uhura gets the shaft (Scotty’s?) but her scene with Mr Adventure is very funny. Sulu looks stylin’ and swish, Chekhov gets to wear a cool jacket, and Scott is Scott.
    Valkris is one hot Klingon while Christopher Lloyd is entertaining (“Get out! Get out of there!” BOOM!) and John Larroquette is a hoot as a Klingon idiot.
    III isn’t a great movie but it’s pretty good, worth it for the caper scenes, McCoy’s best role in the movies, “Klingon bastard. You killed my son. Kingdom bastard…”, Kirk trying to save Kruge then booting him in the face (“*I*. Have. Had. Enough. Of. YOU!”, and Spock’s recognition of Kirk at the end. Nimoy isn’t notably a worse director than Abrams. Ooh, and Jim Sikking as Captain Styles! (Oh, and looked there: Miguel Ferrer!)
    Star Trek IV: The Voyage Home doesn’t make a great deal of sense but that doesn’t matter in the least when it’s such fun. The Great Space Turd/Dildo is a memorable image, Brock Peters has fine voice, the comedy is joyous and clever/dumb (“Double dumbass on you!” Positively Shakespearean!), John Schuck hams it up marvellously, and the revelation of the new Enterprise at the end is great (goofy but great). It’s a pity that Saavik is treated in a completely illogical way but Star Trek IV continues the return to conservatism begun in III which is the other reason David’s death isn’t prominent (the first is that IV’s a comedy. Obvs.).
    Star Trek V: The Final Frontier. If there’s a better movie trying to get out of this one it didn’t try hard enough. A truly stupid, dull, misconceived movie. Shatner did try to give everyone a little something to do but… Yikes! Not to mention that Kirk has to be Mr Super Duper.
    At least the “Row, row, row your boat” was fun…
    Star Trek VI: The Undiscovered Country. Better than V but a pretentious messy film with a very forced concept. The “parallels” with the modern US/Soviet situation were brainless, both Meyer and Nimoy should be ashamed of how cretinous they were. Meyer’s scripting with Denny Martin Flinn was deeply flawed. Spock is suddenly obsessed with reuniting the Vulcans and Romulans which would eventually lead to the idiot sins of AbramsTrek and thence tangentially Star Trek Prickard. Nimoy’s pretensions led to Spock being rendered deeply boring. A shame. Everything about this movie is so overdone, and it has the dreary plastic sheen of many ’99s movies. An overrated duffer. Prove me wrong, Mr Burgas!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.