Continuing with my lengthy and meandering conversation with Kevin Conran, Production Designer, and Michael Sean Foley, Lighting Designer, reminiscing about the making of ‘Sky Captain and the World of Tomorrow’ and random digressions into wherever the conversation and the Guinness took us.
A look back at 2004’s ‘Sky Captain’ and the first part of an interview with Art Director Kevin Conran and Lighting Designer Michael Sean Foley.
The convoluted history of the various Captains Marvel (and their knockoffs) is probably the subject of more urban legends and misunderstandings than probably any other segment of comics history. Throw in the widespread confusion over the difference between copyright and trademark, and it’s a pretty deep swamp. Let’s go wading!
There was a minor controversy in the comics world after Bleeding Cool picked up an Instagram post from comic artist Trevor Von Eeden; a photo of a check, which Trevor described as his payment from the Black Lightning TV show. Bleeding Cool assumed that this check must also be indicative of Tony Isabella’s proceeds from the show. Naturally, Tony had something to say about that. I reached out to him and recorded an interview. Here’s a transcript of that conversation.
I was reminded of WIR recently and thought it was high time somebody documented the origin of the term and site, at least somewhat beyond the bare-bones detail to be found at Wikipedia. As it happens, I know pretty much all the people who were involved in the site, and was present during some of the early discussion, so I invited them to participate in an online roundtable discussion.
It’s not often that you get a chance to walk around in your own imagination. When I made an impromptu trip to Baltimore last fall, I knew there was one thing I HAD to do: Visit the building where HOMICIDE: LIFE ON THE STREET was shot 25 years ago.
It was September of 1974, my first day at a new school. I was 15, but I looked 11. My last class of the day was Drama. I was late. I got to walk in after everyone else was in their seats, so I was completely the center of attention. I made my way awkwardly into the room, trying to look less nervous than I was. One of the girls loudly said “Oh, he’s so little! We can use him as an elf at Christmas!” A loud voice erupted from the back of the room. “I got dibs on Santa!” A big guy was sprawled on a sofa against the back wall. He had absurdly large muttonchop sideburns, and was, improbably enough, wearing a dark green choir robe over his shoulders like a cape. That was my introduction to Wally Oden.