If only the Fantastic Four knew the Trapster’s secret weakness was nail polish!
Daredevil #35, “Daredevil Dies First,” (by Stan Lee and Gene Colan) is a good example of the problems of both the Marvel method and of “writing what you know” when …
Daredevil #35, “Daredevil Dies First,” (by Stan Lee and Gene Colan) is a good example of the problems of both the Marvel method and of “writing what you know” when …
Continuing from last week, my look at the state of Marvel in late 1967. First up, Strange Tales. I’ve already gushed about Jim Steranko’s amazing art on Nick Fury, Agent …
I’ve been meeting to post about several different Marvel books and keep getting distracted by other topics. This and a follow-up post next week should get me caught up.Amazing Spider-Man …
Following the Kingpin’s debut in Amazing Spider-Man #50 we have him meet and defeat Spider-Man the following issue. #52 resolves his introductory arc with Spidey turning the tables. In addition …
Back when Marvel’s Essentials came out, I’d flip through the Silver Age Daredevil and conclude, time and again, that Gene Colan’s art made them look way better than they really …
When I read a reprint of Spider-Man #50, “Spider-Man No More!” by Stan Lee and John Romita, I thought it was a good story but no more than that. It …
The big change in Fantastic Four #61 (Stan Lee, Jack Kirby) was supposed to be the Sandman. The costume upgrade on the cover is only part of it. As the …