One area of perennial speculation in fandom revolves around how (or if or when) Marvel will integrate the characters whose rights were formerly held by other studios into the Marvel Cinematic Universe. I don’t have any inside knowledge on the subject, but there are a lot of things we can presume based on Marvel’s previous decisions. So with that in mind, let’s engage in Pointless Fanboy Speculation!
Ryan Murphy, the creator of Glee and American Horror Story, has a new seven-episode series up on Netflix, so I gave it a look. Hollywood (co-created with Ian Brennan) turned out to be one of the more frustrating productions I’ve seen in a while. I found it so annoying, in fact, that I’m going to complain about it in detail. [Spoilers] abound.
As AT&T’s attempt to acquire Warner grinds along, there are a great many rumors in the air, some going back as far as 2016, about the Warner monolith possibly being broken up and sold off in pieces, or some other massive restructuring for a variety of reasons. Those rumors got another boost this week, fueling endless speculation and fanboy conspiracy theories. Variations on the question “Is Warner selling DC to Marvel” have been popping up on Quora and Reddit for a few days now. So it seems like it’s up to us to clear up a few misconceptions.
Once again, I found myself writing a lengthy response to a post on Facebook, and just before I hit send, I thought “gee, this would be better as a post over at the Junk Shop.” So here we are. This time it’s the Star Wars Saga. The first response posted to that thread was the suggestion that “maybe, just maybe, Star Wars was a really cool idea that got taken way too far.” My reaction to that, and the reason we’ve assembled here today, was that some parts were taken too far, while others were simultaneously not taken far enough.
I just a minute ago saw that Buck Henry has passed on at the age of 89. so let’s give him a proper tribute.
Last time, we looked at oddball TV shows that couldn’t make it past 13 episodes, and I promised I had a similar list of shows that were marginally more successful. And here we are.
If I were capable of feeling shame, this might be my guilty pleasure, but there’s no guilt involved. I like musicals. It’s just a damn shame that I can’t sing or dance, because I’d love to be in musical theater. I often listen to musicals at work, sometimes old classics like Camelot or Chicago, sometimes more obscure works like Threepenny Opera, or recent shows like Something Rotten, and every so often I go looking for stuff I didn’t know existed. Some of it is on the odd side.